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Gyula Kosice, born Ferdinand Fallik (April 26, 1924) in Košice (Slovakia) is a naturalized Argentine sculptor, plastic artist, theoretician and poet, one of the most important figures in kinetic and luminal art and luminance vanguard. He used his natal city name as artist name. He was one of the precursors of abstract and non-figurative art in Latin America. He used, for the first time in international art scene, water and neon gas as part of an artwork. Light and movement are also present in his works. He has made monumental sculptures, hydrospatial walks, hydrowalls, etc. He made more than 40 personal and 500 collective exhibitions all over the world. Kosice keeps making art pieces and has transformed his workshop into a museum. ==The 1940s== 1940 * First non figurative drawings, paintings and sculptures. Study and investigation of Leonardo da Vinci’s work. Poems and texts about interdisciplinary art. 1944 * Röyi. Articulated and mobile sculpture, invented name. * Cofounder of Arturo Magazine. 1945 * Cofounder of "Arte Concreto-Invención" (Concrete Art Invention) in Dr. Enrique Pichon Riviere’s house. * Organizes the 2nd exhibition of "Arte Concreto-Invención" in photographer Grete Stern’s house, in Ramos Mejía, Argentina. * Publishes "Invención" (Invention). Poems, movable sculptures ant theoretical texts. 1946 * Founder of Madí Art Movement. Exhibitions at the French Institute of Superior Studies – Van Riel. Author of the Madí Manifest and designation of the name Madí. Madí paintings ant articulated planes and color. * Use of neon lighting in art-works for the first time in the International Art-Scene. 1947 * First personal exhibition of Madí Art at the Bohemien Club in Galerías Pacífico (Buenos Aires, Argentina), which was the first totally non-figurative exhibition in Latin-America. * Founder of “Universal Madí Art” and its publication of its eight issues. 1948 * Madí exhibition at Réalités Nouvelles, Paris. He was invited by Del Morle and the governing board. He received the collaboration of the France Cultural Attach in Buenos Aires, M. Weibel Reichard. * Drawings and proposal of the Hydrospatial City which relates its declaration in Arturo: “Man will not end on the Earth”. 1949 * "Hydrokinetism". Water, Light, Movement. 1950 * Making of monumental sculptures of Ferro concret, polyester and marble, water fountains with Plexiglas, Hydrospatial designs, etc. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gyula Kosice」の詳細全文を読む スポンサード リンク
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